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Bored @ work try this site: http://tv-links.co.uk/
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TMNT-Files is a bittorrent tracker dedicated to all things TMNT. You can get the entire original cartoon, the entire 2003 cartoon and more, check it out.
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Motorola on Monday unveiled a cable passive optical network (PON) solution intended to provide an upgrade path for cable-based broadband companies to shift to fiber.
While cable head-end equipment isn't necessarily something that consumers think about, this week at the Cable Show in Las Vegas, infrastructure suppliers like Cox, Comcast, and others are thinking about how to add services.
While cable providers are generally able to offer higher throughput than their DSL rivals -- at least here in the United States -- cable companies also have to consider how they will deal with their legacy coaxial cable while still shifting toward higher-bandwidth solutions. Their chief rival? Verizon's FiOS fiber-optic broadband, whose lightning-quick offerings easily trump anything cable companies can currently offer.
Until now, however. What Motorola's announcement means is that the company will allow cable companies to also add fiber upgrades, perhaps as a premium upgrade to a new housing development that's surrounded by cable-only service.
Furthermore, the industry is expected to demonstrate download speeds of greater than 100 Mbits per second this week. The Data Over Cable Services Interface Specification (DOCSIS) are specifications for cable modems; the third generation, DOCSIS 3.0, is in the final stages of development.
In a traditional cable setting, cable companies will lay fiber optic technology to local cable companies and then finish off that "last mile" to the actual development with more affordable coaxial cables. Those coaxial cables, however, cannot usually handle as much bandwidth as fiber optic cables.
The cable PON offering allows providers building cable networks to simultaneously install fiber networks, and activate both networks at their discretion using the same equipment and systems operations, according to Motorola.
Some providers, most notably Verizon and its FiOS service, are investing in networks that deliver fiber directly to the home (FTTH), but this is a labor intensive and extremely expensive undertaking. Technically, cable companies could put in fiber while they're digging trenches for their coaxial cables, but coaxial and fiber networks have, until now, used different equipment and systems operations, so it's not cost effective.
Companies do not have to immediately switch on the fiber capabilities, but given the growing popularity of the technology, there is an incentive for cable companies to install this technology if they can use it at a later date without incurring additional equipment of systems costs, said Floyd Wagoner, senior manager for marketing for Motorola's Access Network.
"It is still a wise investment to put fiber in the ground," Wagoner said. "Cable service providers … can port over to the PON solution tomorrow."
Motorola has a lot of interest from tier-one cable companies that are competing for development deals, Wagoner said. Many times, a housing development or apartment building contractor will select one provider to service all units, and the ability to provide fiber has become an attractive asset, he said.
Wagoner stressed that Cable PON is "incremental" to Motorola's suite of products and just one connection option. He doesn't see an "arbitrary or wholesale" move toward fiber at this point because of the many options that exist, but there is an interest from "cable companies looking to alternative technologies because of a competitive environment," he said.
"We don't see - PON - as a solution; we see it as an option we bring our customers," Wagoner said. "We can give them a natural extension of their cable services."
Source: PhysOrg
Is the revolving door done spinning?
After the first two "Harry Potter" films, it appeared there would be a different director for each subsequent flick — with Alfonso Cuarón, Mike Newell and then David Yates stepping in to expand on the world Chris Columbus first created onscreen.
But now that Yates — who helmed the forthcoming "Harry Potter and the Order of the Phoenix" — has signed on to return for "Half-Blood Prince" (see "MTV News Exclusive: David Yates To Direct 'Harry Potter And The Half-Blood Prince' "), that leaves only one slot left if the franchise passes the wand yet again.
(See the directors of "American Beauty," "Napoleon Dynamite" and more talk about what they'd bring to the final "Harry Potter" film.)
While it's anyone's guess whether one of the previous directors will finish the series off, we wonder — what if someone new came aboard? What would the final film look like if, say, Terry Gilliam or Tim Burton were heading it up? Since the Potter-verse offers so many possibilities, we've asked this question before, with varying results (see "Harry Potter, You Got Served! How Other Directors Would Handle The 'Potter' Flicks"), and we're still asking. Here's our latest batch of answers:
Rob Zombie ("Halloween"): "I'd probably be very violent with a lot of nudity. That's what it needs. Harry should say 'f---' a lot. That would spice it up."
Zack Snyder ("300"): "The problem with Harry Potter is that you can't do it different from the books. Do you want to see them having sex or shooting each other or fighting? Sure. My knee-jerk reaction is to just make everything an R-rated movie, and so I'm like, 'They should be darker!' you know? I do kind of feel they're going in the right direction. They've been sort of growing the films with the characters. So the films are getting darker and intense as the kids have been getting older. I think that makes sense. And it'd be awesome [if Harry dies in the end]."
David Fincher ("Zodiac"): "Could I make it darker than Alfonso's? I don't know. [Should Harry die?] As all good teenagers must."
George Miller ("Happy Feet"): "The thing that struck me, thinking back to the '60s and '70s, is that at the end of every really popular movie, the heroes or the protagonists died in some way. From 'Butch Cassidy and the Sundance Kid,' 'Bonnie and Clyde' ... the last movie that did that seems to have been 'Thelma & Louise.' If you really look back, there's so many movies where it was just OK for the main characters to die. It was just part of what was happening. I still don't understand what that was, whether there was a kind of fatalism that came in the '60s as a result of the Vietnam War, I have no idea. It'd be interesting — and bold — [if Harry dies in the end]. Then it would be like that has come a full life cycle."
Tom Tykwer ("Perfume"): "What I like about the 'Harry Potter' series is, the older Harry gets, the more scary the movies are, and I think I would push for the scary parts more than what has been done. It's getting there. I'm curious how far they're daring to go there."
Edgar Wright ("Hot Fuzz"): "I think I'd like to see Daniel Radcliffe naked and mutilating horses [like he did in the play 'Equus' in London's West End]. It's amazing in the U.K., the poster outside the theater is absolutely enormous. It's crazy. It's three stories high — a picture of Daniel Radcliffe with his shirt off. It's quite distressing."
Edward Zwick ("Blood Diamond"): "At the time of the first 'Harry Potter,' I think my first daughter was 8 or 9 and I was reading it to her. I certainly would have known what to do with that. That would have been fun. She would have been very happy had I done it, trust me. But now? I don't know. I think it was wonderful when I saw Cuarón's third episode of it. I think he reinvented it. He did a really great job. I'm not sure I'd want to be the fifth director, though."
Guillermo del Toro ("Pan's Labyrinth"): "I actually got offered the third one, before Alfonso, and I actually asked the question, 'What about Alfonso?' Because I thought he was perfect for it. I really love the books, they're incredibly rich and textured, incredibly well-informed and -researched, and I think they have a very dark universe — it's actually darker than the movies have been, up until Alfonso came onboard. Now they have a darker tone. I would hope that he would return, because out of all the movies that I've seen, that have been released, his is the one that I've liked the most. I would love for him to come back into that universe. I hope he gets to play in it again. [If he doesn't,] I would love to do one, but I would love to do one where I can kill off one of the characters. I would love to kill off one of them. I would like to be the guy who ends the franchise — I come in and destroy everything that everyone else has created! [He laughs.]
Man I love Meedio, just one problem you can only force it to load full screen on you primary or secondary video card. But what happens if you have more than two monitors and more than two video cards. I a case like this a little autoit programming comes in handy. First you make Meedio sizable then move it to the monitor you want to run it on. Next you need to maximize Meedio on this screen. Then you use the following code to get meedio size and screen coordinates and paste them to the clipboard:
$mdpos = WinGetPos("Meedio Essentials")
$mdsize = WinGetClientSize("Meedio Essentials")
ClipPut("Meedio window stats (x,y,width,height):" & $mdpos[0] & " " & $mdpos[1] & " " & $mdpos[2] & " " & $mdpos[3] & @CRLF & "Meedio window's client size is (width,height):" & $mdsize[0] & " " & $mdsize[1])
After that you just need to make a small little program with the following code:
WinMove("Meedio Essentials", "", -1, -770, 1363, 770)
WinActivate("Meedio Essentials")
Replace the blue numbers in the code with the first four numbers in the clipboard.
Last run your new program and you're done.
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